The Reasons Behind KRG The Don's Appeal for Kenyans to Back Otile Brown During Their Clash with Bien [PHOTOS]

Afro-pop powerhouse Otile Brown and Sauti Sol's Bien-Aimé Baraza have been embroiled in a social media fight, and now flamboyant dancehall musician KRG the Don has entered the fray, adding to the drama in what fans are referring to as "the beef of the year."

It all started when Mumbi Maina, Otile Brown's manager, abruptly quit after only a year of working with the R&B crooner.

Although the reasons for her departure are still unknown, industry rumors quickly spread, and the ensuing controversy quickly descended into a full-fledged online dispute.

Bien was the first to fire a (musical) missile and has had problems with Otile Brown.

Why KRG The Don is Begging Kenyans to Support Otile Brown Amid Beef with Bien

A social media feud has erupted between afro-pop heavyweight Otile Brown and Sauti Sol’s Bien-Aimé Baraza, and now flamboyant dancehall star KRG the Don has waded in, sparking even more drama in what fans are calling “the beef of the year.”

It all began when Otile Brown’s manager, Mumbi Maina, abruptly stepped down after barely a year working with the R&B crooner.

While the reasons behind her exit remain murky, it didn’t take long before industry tongues started wagging — and the fallout spiraled into a full-blown digital brawl.

Bien, who has had issues with Otile Brown, was the first to fire a (musical) missile.

Shortly after the news broke, Bien reposted a blog story about Mumbi’s exit — but it was the soundtrack that got everyone talking. In the background? His now-iconic hit, “All My Enemies Are Suffering.”

Subtle? Maybe. Petty? Definitely. Fans and bloggers alike interpreted it as a shot at Otile, sparking online chaos.

Otile, never one to back down, launched a blistering response on Instagram Stories. In a no-holds-barred rant, he accused Bien of being “fake, hypocritical, and thirsty for clout.”

Krg The Don

 

“Bien is always looking for attention,” Otile fumed.

“Every trending blog post, there he is, pretending to be relevant. TikTok, blogs, Twitter — he’s everywhere, but not in the charts,” he added.

Just when fans thought the beef couldn’t get any juicier, KRG the Don jumped into the ring.

KRG, known as much for his extravagant lifestyle as for his music, stunned fans with a brutal yet oddly emotional appeal. Taking to Instagram Stories, he delivered a voice of reason — though with his signature sharp tongue.

“I don’t understand our local artists anymore. They love fighting over nothing. You’re all struggling in life!! The real enemy is poverty,” KRG wrote.

But then came the twist — a bizarre plea for fans to “rescue” Otile Brown:

“Kenyans, please help Otile by listening to his music again. That’s all he knows. He can’t do anything else. I’m begging you on his behalf. Coz ako karibu kulia sasa.”

The candid jab disguised as concern didn’t end there. In classic KRG fashion, he added:

“He’s so confused he’s beefing with everyone just to trend. And Otile — when you get favours again, be humble. Usikule stock.”

KRG’s attempt at peacemaking — or mockery, depending on who you ask — didn’t land well with everyone.

Referring to Bien as a “local artist” raised eyebrows online, with fans quick to remind KRG that Bien is arguably Kenya’s most internationally recognized performer.

Otile Brown

 

From touring Europe to collaborating with global artists, Bien has managed to take Kenyan music far beyond its borders.

“Local artist? Bien is performing in arenas while you’re doing Instagram rants from the front seat of a Range Rover,” one fan fired back on X.

Still, KRG wasn’t entirely off-key. In a rare moment of clarity, he lamented the disunity in Kenya’s music scene:

“What we need is unity, not fighting like Plot 10 children. Artists from other countries are doing collabs, building culture, and selling out shows. We’re here dragging each other on Instagram.”

Bien

And then came the mic drop:

“Kenya is the only country in Africa that controls the sound regionally. We have international acts living at home — but we don’t know our power.”

While his message may have been buried under layers of sarcasm and swagger, some fans agreed that Kenya’s music industry is ripe for a renaissance — if only the artists could stop “beefing like matatu conductors.”